Aside from having great strength in his playing, he could feel the song well. Live, he could either quell the madness or ignite Morrison and the band to explode into a part, or invite theatrics which Morrison did so well. "When The Music's Over" is an awesome example of this kind of ebb and flow, where he plays around Morrison's poetry and sets the attitude of the song. The ability to lay back and lurk in the weeds, and then burst out with salvos of fire was a specialty of Densmore's, a necessity too, when often times playing live, improvisation was necessary to keep things fresh and spur on Morrison.
Densmore seems to never get the respect he deserves. He doesn't have the notoriety of John Bonham or Keith Moon, yet is respected by drummers who know who's good. He quietly went about his business in The Doors, letting Morrison garner all the attention. I believe him to be an upper-echelon drummer, more diverse in skill than Bonham, more in control than Moon, and more soul-driven than Neil Peart. Yet you'll never hear any one admit this is right. Can you imagine The Doors without the jazzy, snare-rattling bluesy drumming of Densmore?
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